The string arrangement reinforces the track's air of disappointment in the groaning cello line that connects The 2 halves of the bridge, notably the "blue" seventh in the 2nd bridge go (the Eperformed after the vocal line "I don't know / she would not say") and from the descending run from the viola that segues the bridge back into your verses, mimicked by McCartney's vocal on the 2nd move from the bridge.
Pollack described the scoring as "definitely impressed", citing it for instance of "[Lennon & McCartney's] flair for building stylistic hybrids";[23] particularly, he praises the "ironic rigidity drawn among the schmaltzy written content of what is performed from the quartet as well as restrained, spare nature with the medium by which it can be played".[23]
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